{"id":1036,"date":"2025-01-27T21:28:29","date_gmt":"2025-01-27T20:28:29","guid":{"rendered":"https:\/\/www.kozerawski.sk\/?post_type=portfolio&p=1036"},"modified":"2025-01-28T21:56:37","modified_gmt":"2025-01-28T20:56:37","slug":"across-endless-moments-of-fading-dreams-ill-keep-the-night-a-little-longer-for-you","status":"publish","type":"portfolio","link":"https:\/\/www.kozerawski.sk\/index.php\/portfolio\/across-endless-moments-of-fading-dreams-ill-keep-the-night-a-little-longer-for-you\/","title":{"rendered":"Across Endless Moments of Fading Dreams, I’ll Keep the Night a Little Longer For You"},"content":{"rendered":"

[vc_row unlock_row_content=“yes“ row_height_percent=“0″ overlay_alpha=“50″ gutter_size=“3″ column_width_percent=“100″ shift_y=“0″ z_index=“0″ uncode_shortcode_id=“135002″ shape_dividers=““][vc_column width=“1\/1″][vc_gallery el_id=“gallery-382545″ type=“carousel“ dynamic=“yes“ carousel_lg=“3″ carousel_md=“2″ carousel_sm=“1″ gutter_size=“3″ carousel_interval=“0″ carousel_navspeed=“400″ carousel_dots=“yes“ carousel_dots_mobile=“yes“ stage_padding=“0″ single_overlay_opacity=“50″ single_overlay_anim=“no“ single_text_anim=“no“ single_image_anim=“no“ single_padding=“1″ single_border=“yes“ uncode_shortcode_id=“150358″][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

Curatorial Text:
\n\/for Slovak scroll down\/<\/p>\n

Since our new home is in a part of the city that rises uphill from the main train station\u2014on the edge, between the city and a protected nature reserve\u2014winter mornings here are usually different from those below. Most often, they’re veiled in mist, occasionally shrouded in clouds, and once a year, while the city shakes off its morning haze, it remains dark here even at noon.
\nStress dragged me out of bed earlier than usual. Sometimes, it feels almost masochistically intoxicating. Hormones make my metabolism kick in faster than normal, the accompanying thirst ensures my body gets enough fluids, and the coffee doesn\u2019t rattle me the way it usually does. From the street, you can see straight into our first-floor apartment. That\u2019s why the blinds stay down, or at „half-mast“\u2014angled to let in as much light as possible, even if it\u2019s only from a streetlamp.
\nIn bed. Your body remains relaxed, warm under a blanket layered over a summer duvet. It\u2019s 5:30 AM, and from the next room, you can hear and smell the moka pot bubbling. Through a crack in the door, you catch a glimpse of a silhouette, side-lit by the streetlamp, cautiously closing the door. The muffled sounds of morning rituals are so calming and familiar that you don\u2019t understand why your mind feels unbearably heavy within its physical shell and slips back into unconsciousness. The waking moment was so brief that your subconscious still clings to fragments of its earlier narrative. This subjective distortion of time gives you enough space to finally lodge a protest:<\/p>\n

„I object not only to the current actions but to the burdens of entire generations that shaped me.“
\nThe body is only seemingly fragile and passive…
\n„Mom, wake up!“<\/p>\n

_<\/p>\n

Each year, the jury of the Osk\u00e1r \u010cepan Award faces the challenging task of selecting the artists who will reflect innovative, rare, and timeless artistic approaches, as well as engaging with pressing global or local discourses and socially contentious topics. The award creates a unique gallery forum where we become active participants in the stories we interpret and connect to broader social contexts.
\nThis year, a strong trio of women artists presents a wide-ranging exploration of media and themes in contemporary art. Their works span reflections on the position of women in patriarchally structured academic environments, powerful testimonies of the lives of the Vietnamese minority in Slovakia, and documentary fiction exploring the limits of human perception and the mystery of why fireflies blink in synchrony.
\nTheir political bodies are not static symbols but active tools for inquiry and change. They transcend theoretical concepts; through art, they become vehicles for negotiation, advocacy, transformation, and research. They dismantle entrenched stereotypes and ideas, forge new forms of communication, and explore our relationship with both the human and non-human world.
\nThe artistic projects of the Osk\u00e1r \u010cepan Award laureates for 2024 demonstrate that the body is a site where personal stories intersect with global societal issues, and a platform where new political imagination takes root.
\nFor some time now, I\u2019ve had in mind an excerpt from Ursula K. Le Guin\u2019s Always Coming Home, where she writes: „The people in that time to come will not think of things as past and future. They will look at them as parts of an endless stream that flows in and through and around them. In their lives, the truth will not be something said and done, remembered and handed down, but something being done, being said. Truth will have its being in the living.“<\/p>\n

————————————————————————
\nKur\u00e1torsk\u00fd text:<\/p>\n

Ke\u010f\u017ee nov\u00e9 b\u00fdvanie m\u00e1me v tej \u010dasti mesta, ktor\u00e1 sa od hlavnej stanice dv\u00edha hore do kopcov \u2013 na okraji medzi mestom a pr\u00edrodnou rezerv\u00e1ciou \u2013 zimn\u00e9 r\u00e1na tu zv\u00e4\u010d\u0161a b\u00fdvaj\u00fa in\u00e9 ako dole. Naj\u010dastej\u0161ie s\u00fa v opare, zriedka v oblaku, a raz za rok sa stane, \u017ee k\u00fdm v meste sa rann\u00e9 mlieko rozpt\u00fdli, u n\u00e1s je aj pred obedom st\u00e1le tma. <\/p>\n

Stres ma z postele vyhnal sk\u00f4r, ako som zvyknut\u00fd. Ob\u010das to b\u00fdva sadomasochisticky opojn\u00e9. Horm\u00f3ny prin\u00fatia metabolizmus nasko\u010di\u0165 r\u00fdchlej\u0161ie, sprievodn\u00fd sm\u00e4d telu vybav\u00ed potrebn\u00e9 tekutiny a k\u00e1va ma u\u017e nerozh\u00e1d\u017ee tak, ako zvykne. Do n\u00e1\u0161ho bytu na prvom poschod\u00ed vidie\u0165 priamo z ulice. \u017dal\u00fazie preto ost\u00e1vaj\u00fa zatiahnut\u00e9 alebo len na \u201epol \u017erde\u201d \u2013 v takom uhle, aby sa do izby kompromisom predralo \u010do najviac svetla. Hoci len z pouli\u010dnej lampy.<\/p>\n

V posteli. Telo m\u00e1\u0161 st\u00e1le uvo\u013enen\u00e9 a zohriate v\u010faka deke navrstvenej na letnom papl\u00f3ne. Je pol \u0161iestej r\u00e1no a z izby ved\u013ea po\u010duje\u0161 bubla\u0165 vodu a c\u00edti\u0161 v\u00fdrazn\u00fa v\u00f4\u0148u k\u00e1vy. V \u0161trbine si v\u0161imne\u0161 siluetu, z profilu osvetlen\u00fa pouli\u010dnou lampou, ako opatrne zatv\u00e1ra dvere. Tlmen\u00e9 zvuky rann\u00fdch ritu\u00e1lov s\u00fa tak upokojuj\u00face a famili\u00e1rne, a\u017e nerozumie\u0161 vlastnej mysli, ktor\u00e1 vo fyzickej schr\u00e1nke neznesite\u013ene o\u0165a\u017eie a op\u00e4\u0165 prepadne do nevedomia. \u010cas bdelosti bol tak kr\u00e1tky, \u017ee podvedomie vo svojej do\u010dasnej pam\u00e4ti st\u00e1le dr\u017e\u00ed predo\u0161l\u00fd narat\u00edv. Subjekt\u00edvne skreslenie \u010dasu ti d\u00e1va dostatok priestoru kone\u010dne vznies\u0165 n\u00e1mietku:<\/p>\n

\u201eNamietam nielen vo\u010di s\u00fa\u010dasn\u00fdm \u010dinom, ale aj vo\u010di bremenu cel\u00fdch gener\u00e1ci\u00ed, ktor\u00e9 ma formovali.\u201c<\/p>\n

Telo je len zdanlivo krehk\u00e9 a pas\u00edvne\u2026<\/p>\n

Mami, vst\u00e1vaj!<\/p>\n

\u2013<\/p>\n

Ka\u017edoro\u010dne m\u00e1 porota Ceny Osk\u00e1ra \u010cepana ne\u013eahk\u00fa \u00falohu vybra\u0165 umelcov a umelkyne, ktor\u00ed a ktor\u00e9 bud\u00fa zrkadli\u0165 inovat\u00edvne, vz\u00e1cne a nad\u010dasov\u00e9 v\u00fdtvarn\u00e9 pr\u00edstupy, ako aj zauj\u00edmav\u00e9 glob\u00e1lne \u010di lok\u00e1lne diskurz\u00edvne a spolo\u010densky sporn\u00e9 t\u00e9my. Vznik\u00e1 tak \u0161pecifick\u00e9 galerijn\u00e9 f\u00f3rum, kde sa st\u00e1vame akt\u00edvnymi \u00fa\u010dastn\u00edkmi pr\u00edbehov, ktor\u00e9 interpretujeme a prep\u00e1jame so \u0161ir\u0161\u00edmi spolo\u010densk\u00fdmi s\u00favislos\u0165ami. Tento rok n\u00e1m v\u00fdrazn\u00e1 trojica umelk\u00fd\u0148 predstavuje \u0161irok\u00fd medi\u00e1lny aj tematick\u00fd v\u00fdsek zo s\u00fa\u010dasn\u00e9ho umenia \u2013 od reflexie poz\u00edcie \u017eeny v patriarch\u00e1lne nastavenom akademickom prostred\u00ed, cez siln\u00e9 svedectvo o \u017eivote vietnamskej men\u0161iny \u017eij\u00facej na Slovensku, a\u017e po dokument\u00e1rnu fikciu o limitoch \u013eudskej percepcie a z\u00e1hade, pre\u010do svetlu\u0161ky synchr\u00f3nne blikaj\u00fa.
\nIch politick\u00e9 tel\u00e1 tu nie s\u00fa len statick\u00fdm symbolom, ale akt\u00edvnym n\u00e1strojom sk\u00famania a zmeny. Nezost\u00e1vaj\u00fa na \u00farovni teoretick\u00e9ho pojmu; prostredn\u00edctvom umenia sa st\u00e1vaj\u00fa prostriedkom vyjedn\u00e1vania, obhajoby, zmeny \u010di v\u00fdskumu. Rozkladaj\u00fa zau\u017e\u00edvan\u00e9 stereotypy a predstavy, vytv\u00e1raj\u00fa nov\u00e9 sp\u00f4soby komunik\u00e1cie a sk\u00famaj\u00fa n\u00e1\u0161 vz\u0165ah s \u013eudsk\u00fdm aj mimo\u013eudsk\u00fdm svetom.
\nUmeleck\u00e9 projekty laure\u00e1tok Ceny Osk\u00e1ra \u010cepana 2024 dokazuj\u00fa, \u017ee telo je miestom, kde sa stret\u00e1vaj\u00fa osobn\u00e9 pr\u00edbehy s glob\u00e1lnymi spolo\u010densk\u00fdmi probl\u00e9mami, a z\u00e1rove\u0148 platformou, kde vznik\u00e1 nov\u00e1 politick\u00e1 imagin\u00e1cia.
\nV mysli mi rezonuje \u00fatr\u017eok z knihy Always Coming Home od Ursuly K. Le Guin, v ktorom p\u00ed\u0161e: \u201eT\u00ed, ktor\u00ed bud\u00fa prich\u00e1dza\u0165, nebud\u00fa pozera\u0165 na veci ako na minulos\u0165. Bud\u00fa ich vidie\u0165 ako s\u00fa\u010das\u0165 nekone\u010dn\u00e9ho pr\u00fadu, ktor\u00fd pokra\u010duje, prech\u00e1dza cez n\u00e1s a nesie so sebou \u010das, priestor a v\u0161etky bytosti. V ich \u017eivotoch bude pravda zakorenen\u00e1 nie v spomienkach, ale v \u017eivote samotnom, v tej nepretr\u017eitej tvorbe a ni\u010dote, ktorou je existencia.\u201d<\/p>\n","protected":false},"author":1,"featured_media":1040,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_coblocks_attr":"","_coblocks_dimensions":"","_coblocks_responsive_height":"","_coblocks_accordion_ie_support":"","footnotes":"","_links_to":"","_links_to_target":""},"portfolio_category":[26],"class_list":["post-1036","portfolio","type-portfolio","status-publish","has-post-thumbnail","hentry","portfolio_category-curatorial-projects"],"yoast_head":"\nAcross Endless Moments of Fading Dreams, I'll Keep the Night a Little Longer For You -<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.kozerawski.sk\/index.php\/portfolio\/across-endless-moments-of-fading-dreams-ill-keep-the-night-a-little-longer-for-you\/\" \/>\n<meta property=\"og:locale\" content=\"sk_SK\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Across Endless Moments of Fading Dreams, I'll Keep the Night a Little Longer For You -\" \/>\n<meta property=\"og:description\" content=\"Curatorial Text: \/for Slovak scroll down\/ Since our new home is in a part of the city that rises uphill from the main train station\u2014on the edge, between the city and a protected nature reserve\u2014winter mornings here are usually different from those below. Most often, they're veiled in mist, occasionally shrouded in clouds, and once a year, while the city shakes off its morning haze, it remains dark here even at noon. Stress dragged me out of bed earlier than usual. Sometimes, it feels almost masochistically intoxicating. Hormones make my metabolism kick in faster than normal, the accompanying thirst ensures my body gets enough fluids, and the coffee doesn\u2019t rattle me the way it usually does. From the street, you can see straight into our first-floor apartment. That\u2019s why the blinds stay down, or at "half-mast"\u2014angled to let in as much light as possible, even if it\u2019s only from a streetlamp. In bed. Your body remains relaxed, warm under a blanket layered over a summer duvet. It\u2019s 5:30 AM, and from the next room, you can hear and smell the moka pot bubbling. Through a crack in the door, you catch a glimpse of a silhouette, side-lit by the streetlamp, cautiously closing the door. The muffled sounds of morning rituals are so calming and familiar that you don\u2019t understand why your mind feels unbearably heavy within its physical shell and slips back into unconsciousness. The waking moment was so brief that your subconscious still clings to fragments of its earlier narrative. This subjective distortion of time gives you enough space to finally lodge a protest: "I object not only to the current actions but to the burdens of entire generations that shaped me." The body is only seemingly fragile and passive... "Mom, wake up!" _ Each year, the jury of the Osk\u00e1r \u010cepan Award faces the challenging task of selecting the artists who will reflect innovative, rare, and timeless artistic approaches, as well as engaging with pressing global or local discourses and socially contentious topics. The award creates a unique gallery forum where we become active participants in the stories we interpret and connect to broader social contexts. This year, a strong trio of women artists presents a wide-ranging exploration of media and themes in contemporary art. Their works span reflections on the position of women in patriarchally structured academic environments, powerful testimonies of the lives of the Vietnamese minority in Slovakia, and documentary fiction exploring the limits of human perception and the mystery of why fireflies blink in synchrony. Their political bodies are not static symbols but active tools for inquiry and change. They transcend theoretical concepts; through art, they become vehicles for negotiation, advocacy, transformation, and research. They dismantle entrenched stereotypes and ideas, forge new forms of communication, and explore our relationship with both the human and non-human world. The artistic projects of the Osk\u00e1r \u010cepan Award laureates for 2024 demonstrate that the body is a site where personal stories intersect with global societal issues, and a platform where new political imagination takes root. For some time now, I\u2019ve had in mind an excerpt from Ursula K. Le Guin\u2019s Always Coming Home, where she writes: "The people in that time to come will not think of things as past and future. They will look at them as parts of an endless stream that flows in and through and around them. In their lives, the truth will not be something said and done, remembered and handed down, but something being done, being said. Truth will have its being in the living." ------------------------------------------------------------------------ Kur\u00e1torsk\u00fd text: Ke\u010f\u017ee nov\u00e9 b\u00fdvanie m\u00e1me v tej \u010dasti mesta, ktor\u00e1 sa od hlavnej stanice dv\u00edha hore do kopcov \u2013 na okraji medzi mestom a pr\u00edrodnou rezerv\u00e1ciou \u2013 zimn\u00e9 r\u00e1na tu zv\u00e4\u010d\u0161a b\u00fdvaj\u00fa in\u00e9 ako dole. Naj\u010dastej\u0161ie s\u00fa v opare, zriedka v oblaku, a raz za rok sa stane, \u017ee k\u00fdm v meste sa rann\u00e9 mlieko rozpt\u00fdli, u n\u00e1s je aj pred obedom st\u00e1le tma. Stres ma z postele vyhnal sk\u00f4r, ako som zvyknut\u00fd. Ob\u010das to b\u00fdva sadomasochisticky opojn\u00e9. Horm\u00f3ny prin\u00fatia metabolizmus nasko\u010di\u0165 r\u00fdchlej\u0161ie, sprievodn\u00fd sm\u00e4d telu vybav\u00ed potrebn\u00e9 tekutiny a k\u00e1va ma u\u017e nerozh\u00e1d\u017ee tak, ako zvykne. Do n\u00e1\u0161ho bytu na prvom poschod\u00ed vidie\u0165 priamo z ulice. \u017dal\u00fazie preto ost\u00e1vaj\u00fa zatiahnut\u00e9 alebo len na \u201epol \u017erde\u201d \u2013 v takom uhle, aby sa do izby kompromisom predralo \u010do najviac svetla. Hoci len z pouli\u010dnej lampy. V posteli. Telo m\u00e1\u0161 st\u00e1le uvo\u013enen\u00e9 a zohriate v\u010faka deke navrstvenej na letnom papl\u00f3ne. Je pol \u0161iestej r\u00e1no a z izby ved\u013ea po\u010duje\u0161 bubla\u0165 vodu a c\u00edti\u0161 v\u00fdrazn\u00fa v\u00f4\u0148u k\u00e1vy. V \u0161trbine si v\u0161imne\u0161 siluetu, z profilu osvetlen\u00fa pouli\u010dnou lampou, ako opatrne zatv\u00e1ra dvere. Tlmen\u00e9 zvuky rann\u00fdch ritu\u00e1lov s\u00fa tak upokojuj\u00face a famili\u00e1rne, a\u017e nerozumie\u0161 vlastnej mysli, ktor\u00e1 vo fyzickej schr\u00e1nke neznesite\u013ene o\u0165a\u017eie a op\u00e4\u0165 prepadne do nevedomia. \u010cas bdelosti bol tak kr\u00e1tky, \u017ee podvedomie vo svojej do\u010dasnej pam\u00e4ti st\u00e1le dr\u017e\u00ed predo\u0161l\u00fd narat\u00edv. Subjekt\u00edvne skreslenie \u010dasu ti d\u00e1va dostatok priestoru kone\u010dne vznies\u0165 n\u00e1mietku: \u201eNamietam nielen vo\u010di s\u00fa\u010dasn\u00fdm \u010dinom, ale aj vo\u010di bremenu cel\u00fdch gener\u00e1ci\u00ed, ktor\u00e9 ma formovali.\u201c Telo je len zdanlivo krehk\u00e9 a pas\u00edvne\u2026 Mami, vst\u00e1vaj! \u2013 Ka\u017edoro\u010dne m\u00e1 porota Ceny Osk\u00e1ra \u010cepana ne\u013eahk\u00fa \u00falohu vybra\u0165 umelcov a umelkyne, ktor\u00ed a ktor\u00e9 bud\u00fa zrkadli\u0165 inovat\u00edvne, vz\u00e1cne a nad\u010dasov\u00e9 v\u00fdtvarn\u00e9 pr\u00edstupy, ako aj zauj\u00edmav\u00e9 glob\u00e1lne \u010di lok\u00e1lne diskurz\u00edvne a spolo\u010densky sporn\u00e9 t\u00e9my. Vznik\u00e1 tak \u0161pecifick\u00e9 galerijn\u00e9 f\u00f3rum, kde sa st\u00e1vame akt\u00edvnymi \u00fa\u010dastn\u00edkmi pr\u00edbehov, ktor\u00e9 interpretujeme a prep\u00e1jame so \u0161ir\u0161\u00edmi spolo\u010densk\u00fdmi s\u00favislos\u0165ami. Tento rok n\u00e1m v\u00fdrazn\u00e1 trojica umelk\u00fd\u0148 predstavuje \u0161irok\u00fd medi\u00e1lny aj tematick\u00fd v\u00fdsek zo s\u00fa\u010dasn\u00e9ho umenia \u2013 od reflexie poz\u00edcie \u017eeny v patriarch\u00e1lne nastavenom akademickom prostred\u00ed, cez siln\u00e9 svedectvo o \u017eivote vietnamskej men\u0161iny \u017eij\u00facej na Slovensku, a\u017e po dokument\u00e1rnu fikciu o limitoch \u013eudskej percepcie a z\u00e1hade, pre\u010do svetlu\u0161ky synchr\u00f3nne blikaj\u00fa. Ich politick\u00e9 tel\u00e1 tu nie s\u00fa len statick\u00fdm symbolom, ale akt\u00edvnym n\u00e1strojom sk\u00famania a zmeny. Nezost\u00e1vaj\u00fa na \u00farovni teoretick\u00e9ho pojmu; prostredn\u00edctvom umenia sa st\u00e1vaj\u00fa prostriedkom vyjedn\u00e1vania, obhajoby, zmeny \u010di v\u00fdskumu. Rozkladaj\u00fa zau\u017e\u00edvan\u00e9 stereotypy a predstavy, vytv\u00e1raj\u00fa nov\u00e9 sp\u00f4soby komunik\u00e1cie a sk\u00famaj\u00fa n\u00e1\u0161 vz\u0165ah s \u013eudsk\u00fdm aj mimo\u013eudsk\u00fdm svetom. Umeleck\u00e9 projekty laure\u00e1tok Ceny Osk\u00e1ra \u010cepana 2024 dokazuj\u00fa, \u017ee telo je miestom, kde sa stret\u00e1vaj\u00fa osobn\u00e9 pr\u00edbehy s glob\u00e1lnymi spolo\u010densk\u00fdmi probl\u00e9mami, a z\u00e1rove\u0148 platformou, kde vznik\u00e1 nov\u00e1 politick\u00e1 imagin\u00e1cia. V mysli mi rezonuje \u00fatr\u017eok z knihy Always Coming Home od Ursuly K. Le Guin, v ktorom p\u00ed\u0161e: \u201eT\u00ed, ktor\u00ed bud\u00fa prich\u00e1dza\u0165, nebud\u00fa pozera\u0165 na veci ako na minulos\u0165. Bud\u00fa ich vidie\u0165 ako s\u00fa\u010das\u0165 nekone\u010dn\u00e9ho pr\u00fadu, ktor\u00fd pokra\u010duje, prech\u00e1dza cez n\u00e1s a nesie so sebou \u010das, priestor a v\u0161etky bytosti. V ich \u017eivotoch bude pravda zakorenen\u00e1 nie v spomienkach, ale v \u017eivote samotnom, v tej nepretr\u017eitej tvorbe a ni\u010dote, ktorou je existencia.\u201d\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.kozerawski.sk\/index.php\/portfolio\/across-endless-moments-of-fading-dreams-ill-keep-the-night-a-little-longer-for-you\/\" \/>\n<meta property=\"article:modified_time\" content=\"2025-01-28T20:56:37+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.kozerawski.sk\/wp-content\/uploads\/2025\/01\/dsdffwweffwe.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"2048\" \/>\n\t<meta property=\"og:image:height\" content=\"1152\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Predpokladan\u00fd \u010das \u010d\u00edtania\" \/>\n\t<meta name=\"twitter:data1\" content=\"1 min\u00fata\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.kozerawski.sk\/index.php\/portfolio\/across-endless-moments-of-fading-dreams-ill-keep-the-night-a-little-longer-for-you\/\",\"url\":\"https:\/\/www.kozerawski.sk\/index.php\/portfolio\/across-endless-moments-of-fading-dreams-ill-keep-the-night-a-little-longer-for-you\/\",\"name\":\"Across Endless Moments of Fading Dreams, I'll Keep the Night a Little Longer For You -\",\"isPartOf\":{\"@id\":\"https:\/\/www.kozerawski.sk\/#website\"},\"datePublished\":\"2025-01-27T20:28:29+00:00\",\"dateModified\":\"2025-01-28T20:56:37+00:00\",\"breadcrumb\":{\"@id\":\"https:\/\/www.kozerawski.sk\/index.php\/portfolio\/across-endless-moments-of-fading-dreams-ill-keep-the-night-a-little-longer-for-you\/#breadcrumb\"},\"inLanguage\":\"sk-SK\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/www.kozerawski.sk\/index.php\/portfolio\/across-endless-moments-of-fading-dreams-ill-keep-the-night-a-little-longer-for-you\/\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/www.kozerawski.sk\/index.php\/portfolio\/across-endless-moments-of-fading-dreams-ill-keep-the-night-a-little-longer-for-you\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/www.kozerawski.sk\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Portfolio\",\"item\":\"https:\/\/www.kozerawski.sk\/index.php\/portfolio\/\"},{\"@type\":\"ListItem\",\"position\":3,\"name\":\"Across Endless Moments of Fading Dreams, I’ll Keep the Night a Little Longer For You\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/www.kozerawski.sk\/#website\",\"url\":\"https:\/\/www.kozerawski.sk\/\",\"name\":\"\",\"description\":\"\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/www.kozerawski.sk\/?s={search_term_string}\"},\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"sk-SK\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Across Endless Moments of Fading Dreams, I'll Keep the Night a Little Longer For You -","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.kozerawski.sk\/index.php\/portfolio\/across-endless-moments-of-fading-dreams-ill-keep-the-night-a-little-longer-for-you\/","og_locale":"sk_SK","og_type":"article","og_title":"Across Endless Moments of Fading Dreams, I'll Keep the Night a Little Longer For You -","og_description":"Curatorial Text: \/for Slovak scroll down\/ Since our new home is in a part of the city that rises uphill from the main train station\u2014on the edge, between the city and a protected nature reserve\u2014winter mornings here are usually different from those below. Most often, they're veiled in mist, occasionally shrouded in clouds, and once a year, while the city shakes off its morning haze, it remains dark here even at noon. Stress dragged me out of bed earlier than usual. Sometimes, it feels almost masochistically intoxicating. Hormones make my metabolism kick in faster than normal, the accompanying thirst ensures my body gets enough fluids, and the coffee doesn\u2019t rattle me the way it usually does. From the street, you can see straight into our first-floor apartment. That\u2019s why the blinds stay down, or at \"half-mast\"\u2014angled to let in as much light as possible, even if it\u2019s only from a streetlamp. In bed. Your body remains relaxed, warm under a blanket layered over a summer duvet. It\u2019s 5:30 AM, and from the next room, you can hear and smell the moka pot bubbling. Through a crack in the door, you catch a glimpse of a silhouette, side-lit by the streetlamp, cautiously closing the door. The muffled sounds of morning rituals are so calming and familiar that you don\u2019t understand why your mind feels unbearably heavy within its physical shell and slips back into unconsciousness. The waking moment was so brief that your subconscious still clings to fragments of its earlier narrative. This subjective distortion of time gives you enough space to finally lodge a protest: \"I object not only to the current actions but to the burdens of entire generations that shaped me.\" The body is only seemingly fragile and passive... \"Mom, wake up!\" _ Each year, the jury of the Osk\u00e1r \u010cepan Award faces the challenging task of selecting the artists who will reflect innovative, rare, and timeless artistic approaches, as well as engaging with pressing global or local discourses and socially contentious topics. The award creates a unique gallery forum where we become active participants in the stories we interpret and connect to broader social contexts. This year, a strong trio of women artists presents a wide-ranging exploration of media and themes in contemporary art. Their works span reflections on the position of women in patriarchally structured academic environments, powerful testimonies of the lives of the Vietnamese minority in Slovakia, and documentary fiction exploring the limits of human perception and the mystery of why fireflies blink in synchrony. Their political bodies are not static symbols but active tools for inquiry and change. They transcend theoretical concepts; through art, they become vehicles for negotiation, advocacy, transformation, and research. They dismantle entrenched stereotypes and ideas, forge new forms of communication, and explore our relationship with both the human and non-human world. The artistic projects of the Osk\u00e1r \u010cepan Award laureates for 2024 demonstrate that the body is a site where personal stories intersect with global societal issues, and a platform where new political imagination takes root. For some time now, I\u2019ve had in mind an excerpt from Ursula K. Le Guin\u2019s Always Coming Home, where she writes: \"The people in that time to come will not think of things as past and future. They will look at them as parts of an endless stream that flows in and through and around them. In their lives, the truth will not be something said and done, remembered and handed down, but something being done, being said. Truth will have its being in the living.\" ------------------------------------------------------------------------ Kur\u00e1torsk\u00fd text: Ke\u010f\u017ee nov\u00e9 b\u00fdvanie m\u00e1me v tej \u010dasti mesta, ktor\u00e1 sa od hlavnej stanice dv\u00edha hore do kopcov \u2013 na okraji medzi mestom a pr\u00edrodnou rezerv\u00e1ciou \u2013 zimn\u00e9 r\u00e1na tu zv\u00e4\u010d\u0161a b\u00fdvaj\u00fa in\u00e9 ako dole. Naj\u010dastej\u0161ie s\u00fa v opare, zriedka v oblaku, a raz za rok sa stane, \u017ee k\u00fdm v meste sa rann\u00e9 mlieko rozpt\u00fdli, u n\u00e1s je aj pred obedom st\u00e1le tma. Stres ma z postele vyhnal sk\u00f4r, ako som zvyknut\u00fd. Ob\u010das to b\u00fdva sadomasochisticky opojn\u00e9. Horm\u00f3ny prin\u00fatia metabolizmus nasko\u010di\u0165 r\u00fdchlej\u0161ie, sprievodn\u00fd sm\u00e4d telu vybav\u00ed potrebn\u00e9 tekutiny a k\u00e1va ma u\u017e nerozh\u00e1d\u017ee tak, ako zvykne. Do n\u00e1\u0161ho bytu na prvom poschod\u00ed vidie\u0165 priamo z ulice. \u017dal\u00fazie preto ost\u00e1vaj\u00fa zatiahnut\u00e9 alebo len na \u201epol \u017erde\u201d \u2013 v takom uhle, aby sa do izby kompromisom predralo \u010do najviac svetla. Hoci len z pouli\u010dnej lampy. V posteli. Telo m\u00e1\u0161 st\u00e1le uvo\u013enen\u00e9 a zohriate v\u010faka deke navrstvenej na letnom papl\u00f3ne. Je pol \u0161iestej r\u00e1no a z izby ved\u013ea po\u010duje\u0161 bubla\u0165 vodu a c\u00edti\u0161 v\u00fdrazn\u00fa v\u00f4\u0148u k\u00e1vy. V \u0161trbine si v\u0161imne\u0161 siluetu, z profilu osvetlen\u00fa pouli\u010dnou lampou, ako opatrne zatv\u00e1ra dvere. Tlmen\u00e9 zvuky rann\u00fdch ritu\u00e1lov s\u00fa tak upokojuj\u00face a famili\u00e1rne, a\u017e nerozumie\u0161 vlastnej mysli, ktor\u00e1 vo fyzickej schr\u00e1nke neznesite\u013ene o\u0165a\u017eie a op\u00e4\u0165 prepadne do nevedomia. \u010cas bdelosti bol tak kr\u00e1tky, \u017ee podvedomie vo svojej do\u010dasnej pam\u00e4ti st\u00e1le dr\u017e\u00ed predo\u0161l\u00fd narat\u00edv. Subjekt\u00edvne skreslenie \u010dasu ti d\u00e1va dostatok priestoru kone\u010dne vznies\u0165 n\u00e1mietku: \u201eNamietam nielen vo\u010di s\u00fa\u010dasn\u00fdm \u010dinom, ale aj vo\u010di bremenu cel\u00fdch gener\u00e1ci\u00ed, ktor\u00e9 ma formovali.\u201c Telo je len zdanlivo krehk\u00e9 a pas\u00edvne\u2026 Mami, vst\u00e1vaj! \u2013 Ka\u017edoro\u010dne m\u00e1 porota Ceny Osk\u00e1ra \u010cepana ne\u013eahk\u00fa \u00falohu vybra\u0165 umelcov a umelkyne, ktor\u00ed a ktor\u00e9 bud\u00fa zrkadli\u0165 inovat\u00edvne, vz\u00e1cne a nad\u010dasov\u00e9 v\u00fdtvarn\u00e9 pr\u00edstupy, ako aj zauj\u00edmav\u00e9 glob\u00e1lne \u010di lok\u00e1lne diskurz\u00edvne a spolo\u010densky sporn\u00e9 t\u00e9my. Vznik\u00e1 tak \u0161pecifick\u00e9 galerijn\u00e9 f\u00f3rum, kde sa st\u00e1vame akt\u00edvnymi \u00fa\u010dastn\u00edkmi pr\u00edbehov, ktor\u00e9 interpretujeme a prep\u00e1jame so \u0161ir\u0161\u00edmi spolo\u010densk\u00fdmi s\u00favislos\u0165ami. Tento rok n\u00e1m v\u00fdrazn\u00e1 trojica umelk\u00fd\u0148 predstavuje \u0161irok\u00fd medi\u00e1lny aj tematick\u00fd v\u00fdsek zo s\u00fa\u010dasn\u00e9ho umenia \u2013 od reflexie poz\u00edcie \u017eeny v patriarch\u00e1lne nastavenom akademickom prostred\u00ed, cez siln\u00e9 svedectvo o \u017eivote vietnamskej men\u0161iny \u017eij\u00facej na Slovensku, a\u017e po dokument\u00e1rnu fikciu o limitoch \u013eudskej percepcie a z\u00e1hade, pre\u010do svetlu\u0161ky synchr\u00f3nne blikaj\u00fa. Ich politick\u00e9 tel\u00e1 tu nie s\u00fa len statick\u00fdm symbolom, ale akt\u00edvnym n\u00e1strojom sk\u00famania a zmeny. Nezost\u00e1vaj\u00fa na \u00farovni teoretick\u00e9ho pojmu; prostredn\u00edctvom umenia sa st\u00e1vaj\u00fa prostriedkom vyjedn\u00e1vania, obhajoby, zmeny \u010di v\u00fdskumu. Rozkladaj\u00fa zau\u017e\u00edvan\u00e9 stereotypy a predstavy, vytv\u00e1raj\u00fa nov\u00e9 sp\u00f4soby komunik\u00e1cie a sk\u00famaj\u00fa n\u00e1\u0161 vz\u0165ah s \u013eudsk\u00fdm aj mimo\u013eudsk\u00fdm svetom. Umeleck\u00e9 projekty laure\u00e1tok Ceny Osk\u00e1ra \u010cepana 2024 dokazuj\u00fa, \u017ee telo je miestom, kde sa stret\u00e1vaj\u00fa osobn\u00e9 pr\u00edbehy s glob\u00e1lnymi spolo\u010densk\u00fdmi probl\u00e9mami, a z\u00e1rove\u0148 platformou, kde vznik\u00e1 nov\u00e1 politick\u00e1 imagin\u00e1cia. V mysli mi rezonuje \u00fatr\u017eok z knihy Always Coming Home od Ursuly K. Le Guin, v ktorom p\u00ed\u0161e: \u201eT\u00ed, ktor\u00ed bud\u00fa prich\u00e1dza\u0165, nebud\u00fa pozera\u0165 na veci ako na minulos\u0165. Bud\u00fa ich vidie\u0165 ako s\u00fa\u010das\u0165 nekone\u010dn\u00e9ho pr\u00fadu, ktor\u00fd pokra\u010duje, prech\u00e1dza cez n\u00e1s a nesie so sebou \u010das, priestor a v\u0161etky bytosti. V ich \u017eivotoch bude pravda zakorenen\u00e1 nie v spomienkach, ale v \u017eivote samotnom, v tej nepretr\u017eitej tvorbe a ni\u010dote, ktorou je existencia.\u201d","og_url":"https:\/\/www.kozerawski.sk\/index.php\/portfolio\/across-endless-moments-of-fading-dreams-ill-keep-the-night-a-little-longer-for-you\/","article_modified_time":"2025-01-28T20:56:37+00:00","og_image":[{"width":2048,"height":1152,"url":"https:\/\/www.kozerawski.sk\/wp-content\/uploads\/2025\/01\/dsdffwweffwe.jpg","type":"image\/jpeg"}],"twitter_card":"summary_large_image","twitter_misc":{"Predpokladan\u00fd \u010das \u010d\u00edtania":"1 min\u00fata"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"WebPage","@id":"https:\/\/www.kozerawski.sk\/index.php\/portfolio\/across-endless-moments-of-fading-dreams-ill-keep-the-night-a-little-longer-for-you\/","url":"https:\/\/www.kozerawski.sk\/index.php\/portfolio\/across-endless-moments-of-fading-dreams-ill-keep-the-night-a-little-longer-for-you\/","name":"Across Endless Moments of Fading Dreams, I'll Keep the Night a Little Longer For You -","isPartOf":{"@id":"https:\/\/www.kozerawski.sk\/#website"},"datePublished":"2025-01-27T20:28:29+00:00","dateModified":"2025-01-28T20:56:37+00:00","breadcrumb":{"@id":"https:\/\/www.kozerawski.sk\/index.php\/portfolio\/across-endless-moments-of-fading-dreams-ill-keep-the-night-a-little-longer-for-you\/#breadcrumb"},"inLanguage":"sk-SK","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.kozerawski.sk\/index.php\/portfolio\/across-endless-moments-of-fading-dreams-ill-keep-the-night-a-little-longer-for-you\/"]}]},{"@type":"BreadcrumbList","@id":"https:\/\/www.kozerawski.sk\/index.php\/portfolio\/across-endless-moments-of-fading-dreams-ill-keep-the-night-a-little-longer-for-you\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/www.kozerawski.sk\/"},{"@type":"ListItem","position":2,"name":"Portfolio","item":"https:\/\/www.kozerawski.sk\/index.php\/portfolio\/"},{"@type":"ListItem","position":3,"name":"Across Endless Moments of Fading Dreams, I’ll Keep the Night a Little Longer For You"}]},{"@type":"WebSite","@id":"https:\/\/www.kozerawski.sk\/#website","url":"https:\/\/www.kozerawski.sk\/","name":"","description":"","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.kozerawski.sk\/?s={search_term_string}"},"query-input":"required name=search_term_string"}],"inLanguage":"sk-SK"}]}},"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.kozerawski.sk\/index.php\/wp-json\/wp\/v2\/portfolio\/1036"}],"collection":[{"href":"https:\/\/www.kozerawski.sk\/index.php\/wp-json\/wp\/v2\/portfolio"}],"about":[{"href":"https:\/\/www.kozerawski.sk\/index.php\/wp-json\/wp\/v2\/types\/portfolio"}],"author":[{"embeddable":true,"href":"https:\/\/www.kozerawski.sk\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.kozerawski.sk\/index.php\/wp-json\/wp\/v2\/comments?post=1036"}],"version-history":[{"count":8,"href":"https:\/\/www.kozerawski.sk\/index.php\/wp-json\/wp\/v2\/portfolio\/1036\/revisions"}],"predecessor-version":[{"id":1062,"href":"https:\/\/www.kozerawski.sk\/index.php\/wp-json\/wp\/v2\/portfolio\/1036\/revisions\/1062"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.kozerawski.sk\/index.php\/wp-json\/wp\/v2\/media\/1040"}],"wp:attachment":[{"href":"https:\/\/www.kozerawski.sk\/index.php\/wp-json\/wp\/v2\/media?parent=1036"}],"wp:term":[{"taxonomy":"portfolio_category","embeddable":true,"href":"https:\/\/www.kozerawski.sk\/index.php\/wp-json\/wp\/v2\/portfolio_category?post=1036"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}