{"version":"1.0","provider_name":"","provider_url":"https:\/\/www.kozerawski.sk","author_name":"denis","author_url":"https:\/\/www.kozerawski.sk\/index.php\/author\/denis\/","title":"The Mosquito Requiem -","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"UPWJJJnsA8\"><a href=\"https:\/\/www.kozerawski.sk\/index.php\/portfolio\/the-mosquito-requiem\/\">The Mosquito Requiem<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/www.kozerawski.sk\/index.php\/portfolio\/the-mosquito-requiem\/embed\/#?secret=UPWJJJnsA8\" width=\"600\" height=\"338\" title=\"&#8220;The Mosquito Requiem&#8221; &#8212; \" data-secret=\"UPWJJJnsA8\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/www.kozerawski.sk\/wp-content\/uploads\/2026\/06\/Timeline-1_01_00_46_11.jpg","thumbnail_width":1920,"thumbnail_height":1080,"description":"The Mosquito Requiem There is an insect older than us. It was here before the first field was enclosed, before the first border was drawn, before fear had a body to live in. The film begins from this quiet displacement, from the recognition that the human is not the measure of what happens on this planet, only one of its temporary forms. The Mosquito Requiem thinks through the mosquito rather than about it. The bite, usually imagined as theft, is closer to a deposit, an exchange the body does not even feel. Around this small and unfelt event the film opens outward, toward the particles that pass through us from stars that no longer exist, toward matter that arrives from elsewhere and goes on shaping what is alive, without asking and without being noticed. A requiem is a mass for the dead. Here it becomes a way of admitting that ending is not the opposite of life but its condition. The film does not mourn the world so much as try to look at it without the consolation of standing at its center.  Supported using public funding by Slovak Arts Council  ---------------  The Mosquito Requiem Jestvuje hmyz star\u0161\u00ed ne\u017e my. Bol tu sk\u00f4r, ne\u017e bolo ohraden\u00e9 prv\u00e9 pole, ne\u017e bola narysovan\u00e1 prv\u00e1 hranica, ne\u017e strach dostal telo, v ktorom by mohol preb\u00fdva\u0165. Film vych\u00e1dza z tohto tich\u00e9ho posunu, z poznania, \u017ee \u010dlovek nie je mierou toho, \u010do sa na tejto plan\u00e9te deje, ale len jednou z jej do\u010dasn\u00fdch pod\u00f4b. The Mosquito Requiem nemysl\u00ed o kom\u00e1rovi, ale skrze neho. Bodnutie, zvy\u010dajne predstavovan\u00e9 ako kr\u00e1de\u017e, m\u00e1 bli\u017e\u0161ie k vkladu, k v\u00fdmene, ktor\u00fa telo ani nepoc\u00edti. Okolo tejto malej a nevn\u00edmanej udalosti sa film otv\u00e1ra navonok, k \u010dasticiam, ktor\u00e9 nami prech\u00e1dzaj\u00fa z hviezd, \u010do u\u017e neexistuj\u00fa, k hmote, ktor\u00e1 prich\u00e1dza odinakia\u013e a na\u010falej tvaruje to, \u010do je \u017eiv\u00e9, bez p\u00fdtania a bez pov\u0161imnutia. Requiem je om\u0161a za m\u0155tvych. Tu sa st\u00e1va sp\u00f4sobom, ako pripusti\u0165, \u017ee z\u00e1nik nie je opakom \u017eivota, ale jeho podmienkou. Film nadn\u00e1\u0161a svet sk\u00f4r, ne\u017e aby ho oplak\u00e1val, a pok\u00fa\u0161a sa na\u0148 pozrie\u0165 bez \u00fatechy, ktorou je st\u00e1\u0165 v jeho strede.  Z verejn\u00fdch zdrojov podporil Fond na podporu umenia"}